卡里达的故事和她的戏剧项目都极具震撼力，令人动容。她以真实的证词为素材，创作了一部探索古巴人流亡的戏剧，这种构思极具感染力，能够深刻地展现那些痛苦而深刻的人生经历。她巧妙地将音乐、舞蹈和创意舞台设计融入工业场景，营造出一种既反映古巴社群的苦难，又展现其坚韧不拔，甚至不乏幽默的氛围。她的朋友拉扎罗、雷格拉和法蒂玛的加入，为故事增添了丰富的层次。他们各自代表着不同的流亡视角和经历，使观众能够更深刻地体会到每个故事的真实性。从悲伤到欢笑，各种情感的交织展现了人类经验的复杂性，尤其是在流离失所的境况下。作为这部戏剧的创作核心，卡里达的目标不仅是娱乐观众，更是要启迪人心，培养同理心，提醒我们即使在最黑暗的时刻，也总有希望和幽默的容身之地。这部电影让我们反思个人证词的重要性以及代表性的力量。

Middle-aged couple's adult children decide to emigrate to USA. Third movie in trilogy.

Jorge and Laura are about to divorce. Helpless, he witnesses the last moments of Laura's presence in his life: he hears how she packs her things, luggage closing for the last time, the conversation with whoever is picking her up... She says goodbye, affectionate yet firm, and she leaves. And that's it. Jorge stays alone, hearing the sound of the house.

Out hunting one day in rural Spain, a father struggles to accept that his adult son is moving abroad and is dealing with feelings of being left alone.

The lives of various Latin residents of New York City are depicted. A Puerto Rican family, two Mexicans, and their friends seek fortune without forgetting their roots and traditions.

Ramiro makes a quick trip to Madrid to decide about the life of his father, who is in a coma and with whom he has never had much of a relationship.

A gunslinger on the run for a murder he didn't commit goes to New Mexico where he hopes to find a person who can exculpate him. While on his way he finds a girl who has been kidnapped and tortured, sets her free and then takes his revenge at gunpoint.

Two incompetent Western outlaws engineer several failed crimes, including a botched stagecoach holdup. Fred Williamson, a tough-guy perennial in blaxploitation movies, does a rare comedy turn as a blundering patsy to Richard Pryor's slick con man.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the 'Vecinos de Pompeya', a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

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